THE YEAR WAS 2015, AND WE'D HAD ENOUGH
Record sales were a fraction of what they used to be. A new streaming service seemed to launch every other week. Most pressing plants and labels had written small vinyl record batches off as bad business, and independent artists paid the price.
We wanted to bridge that gap, and help out the overlooked artists. Not long after, we opened up a dubplate cutting studio. Fast forward a decade, and we’re now running a full-scale pressing plant, shipping records around the globe.
We may be in a new building with new machines, working at a scale we never imagined. But one thing hasn’t changed: for us, it’s always been about the artist, big or small.
